Posts Tagged Genevieve Nnaji
I’m not a big fan of the Nigerian film industry aped Nollywood (I meant to say named) and if you asked me now I can think of only a very few productions that have really made/left their mark with Oléku still my favourite Nigerian film many years since it came, and a new film titled Ijé may just join that elite few…may.
I haven’t seen the film and I probably won’t anytime soon. My focus is the origin of the script for the film that reportedly sold out its first screening at a cinema on the Island. The script of Ijé is actually the (or part of the) thesis of a Nigerian student of the prestigious New York Film Academy… Ah! Someone’s final year project o!
I’m confident delivery of roles in the film isn’t an issue; Genevieve Nnaji’s come a long way to her current stardom, Clem Ohaneze more so and Omotola Jalade-Ekeinde even more so. The foreign cast in the film, including Ulrich Que, also have pretty cool repute attached to them unlike previously where just any white-skinned fellows would do.
Otherwise all that, Ijé’s script most probably has been adapted in a previous production here but imperatively, the difference (what would be going for Ijé) would be the quality of the script (that New York school no be small thing o) and delivery from the cast…it’s about quality people.
So I wonder if the Federal Government, in the melee of its acceptance of every financial requests in the billions of recent, will consider a string of ideas from budding Nigerians as us who are just about prepped to pounce on the slightest window of opportunity at partaking of the infamous national cake or what’s the benefit of a documentary. The Director of this ‘epic’ production better retire when s/he’s done with it because N250m begins to describe what it takes to produce a Hollywood movie.
So here’s my proposal to the FG – an Obelisk 50ft high with lights at the top that will shine into the night sky; lights capable of illuminating whatever the FG wants illuminated, from a N5000 note to the EFCC logo. I’ll go with the latter.
If that seems far fetched for them, I’ll go with a proposal to create a Nigerian Thesaurus which should be greatly beneficial to those who want to know the real, present day Nigeria. A peek of what the Thesaurus will contain goes thus:
Loan (vrb.): the act of being approached for financial assistance without insurance or assurance of repayment. A popular action among undergraduates.
Maga (n./vrb.): where two parties or one party in cooperation with two or more parties become affiliated to/with each other for the sake of benefits inherent.
National Cake (n.): the whole of a lump of massive finance available to very few. Not to be mistook for national cakes made for independence anniversaries of other countries. Ambition for it is found rampant in the echelons of power.
Nigerian Factor (adv.): a concept used to describe the complex complicated nature of reality in an immediate environment and events therein. Similar to Nigerian Mentality which is genetically inherited, Nigerian Factor is physically inherited. Concept is aptly captured in the education sector, Admissions Office.
Nigerian Mentality (adv.): an aura of total pessimism displayed consistently due to influence(s) of factors in the immediate environment. Definition is aptly captured when a neighbourhood in the country enjoys uninterrupted power supply for 30 hours or more, residents start to wonder if the transformer won’t overload and pack up soon as a result.
©δ.õÁ 06/08/2010 ™
It is nearly satisfying to see that more Nigerian youth are starting to take keener interest in the polity of the nation, voicing their discontent at what is wrong with the system and why unacceptable actions such as corruption, kidnapping et al continue to persist.
However, until the feeling is fully satisfying and not just nearly; since almost does not kill a bird, the Nigerian youth still have a plenty lot to do in order to realise the better Nigeria we yearn for.
For years we’ve voiced against a regressive Nigeria and the recycling of leaders to the point where fresh, progressive ideas to move the nation forward has become impossible but in reality, it is action that speaks louder and better than words.
It is where the House of Succour comes in, giving opportunity to motivated youth to brainstorm on ideas capable of impacting positively on themselves and their immediate environment initially with the ultimate goal being to have a halo of development that will steadily and surely have its positive effect on the country.
So rather than sit back in expectation of those in power to have a sudden awakening and run things in the manner we deem proper, letting our resentment of the poor state of the system withhold the true potential of greatness that lies in us youth, let us more than stand up for a better future, let’s conceive and work towards a better future ourselves.
This we can achieve by simply channeling our energy to developing our talents, whatever they may be, through consistent training either by self or more advisably from professionals. One needs not try being in a profession because it is the widely accepted one, we can only impact on our nation by giving our nation the best of what we naturally are good at, not what we’ve learnt to be good at.
Take a look at the recently released movie Ijé that stars Genevieve Nnaji and Omotola Jalade-Ekeinde among others, the script of the film production was done by Chineze Anyaene, a Nigerian student at the prestigious New York Film Academy, as a thesis. And if she was not determined to see her work come to reality; having gone to length in convincing Omotola and Genevieve in particular to be a part of the project, the impact the film Ijé is destined to have on the Nigerian film industry as evident in the rave reviews it has received so far would not have come to fruition had she not decided to “conceive and work towards a better Nigeria”. For all we know, she could well have executed the film over at the US and not involve any Nigerian artistes on it, then it would be her personal glory. But here, it’s a win situation for her, the Nigerian film industry and the country as a whole; which is what we should strive to achieve.
Discover what you’re very good at; something you’ve found capable of doing well with ease and even under pressure, and then set about improving yourself at it. You will do yourself a great good by that and our dear Nigeria by extension…yes we can!
©δ.õÁ 06/08/2010 ™